I’ve waited years for her to grow up. Now it’s time. I won’t be gentle and I won’t be kind. I’m taking what is mine. 

Kaylie: Wherever I went, I heard it: the sound of a purring motorcycle behind me. They never bothered me or said a word. But I knew they were there because of him. Devlin McRae, the head of the local MC. Being followed all the time like this was disconcerting. And lately, the bikes had been getting closer, less secretive, more obvious. What would I do if Devlin ever caught me?

Devlin: The first time I saw her, she was too young. I had to wait. I hated it, but I’d promised her mother I would wait for her to grow up. The sweet, little waitress from Mae’s diner was going to be mine. She just didn’t know it yet.

Janet:  

When my career as a dancer is sidelined due to an injury, I have no idea what to do with my life. My best friend, Kaylie, is dating the head of the Devil’s Riders, so I tag along when she hangs out at the club. That’s when I see him. The one they call the Viking. He never says a word, but his eyes burn into me. He watches out for me, even kisses me, but that’s it. The man refuses to take the next step.  

I know he wants me. I just need to tip the big guy over the edge. You know what they say about the big ones, right?  

Jack:  

I’m big and mean, and I don’t give a damn about anything but the Riders. But when the feisty redhead shows up with the Prez’s old lady, I’m told to watch her. Problem is, I can’t stop. I want my eyes and the rest of me on her. She’s a pain in the ass, but that doesn’t change biology. She’s mine for the taking, and I’m going to take her up on the offer. For good. I’m just not sure she can handle what I’m offering her. 

Sally:

I left behind my life to start over. My successful career as a country music singer, friends and family, everything. All to get away from my abusive, obsessive ex.  

So what if I’m lonely? So what if I miss singing and sequins? I’m safe, and that’s what matters. 

But the big biker with the blue eyes has other ideas. He makes me laugh and breathless all at the same time. He makes me want more. But it’s not safe. Not for either one of us.  

Donahue:

She’s the most beautiful woman I’ve ever seen – and that’s before I ever heard her sing. Her voice cuts through the chatter, through the noise. Straight through to the emptiness inside me.  

Everyone thinks I’m happy-go-lucky, but she’s different. She sees right through me. And as much as I want her underneath me, tangled in my sheets, I want her beside me just as badly.  

She needs saving. She’s afraid to let me in. But what she doesn’t know is that I need saving, too. And she’s just the woman to do it.  

Review

This is a series that I found on a whim and I’m so happy that I found these books. I believe that there are seven in total. So there will be at least one more review on the rest of the series. I went into this thinking it was going to be a quick series to listen to. I was right about the first book. It was very quick but I thought there was a lot of things that could have been expanded upon. As you go through the series it seems like the plot it a lot more flushed out and you have to pay attention more on the little details of the story. Starting in book two it goes from mainly being a two POV to toward the end a few chapter of a four book POV. While I didn’t mind it took a minute for me to realize which character the voice actors were reading for.

Troy Duran and Kendall Taylor are the two amazing voice actors for this series. I love both of them. Troy has a great balance when it comes to voicing both male and female characters. Kendall is great her range is fantastic. I could listen to her all and I have been for the last week.

Thank you all for joining me here in our little part of wonderland. Please don’t forget to feed the unicorns on your way out.

Until next time

Happy reading

Much love

Ashten

and losing steam.

Hello, wonderlandians.

Wow it has been sometime since I have typed that.

First off how are all of you out there? I feel like I need to ask with the current state of the world.

I have been doing ok. The last time I posted was back in June. I think before that it was really May that I was really active. I announced that I was pregnant. Since then there has been a lot that has happened. I got married, gave birth to my daughter, and moved house. So there has been a lot going on that I feel like I lost my steam.

Since June I have not read one book.

This is crazy to me. I’m such reader that this break from reading has been weird to me. The pregnancy took a lot out of me and I just stopped reading and blogging.

I lost my steam and

Thats ok. I was really hard on myself because I wasn’t reading or blogging. We as bloggers, vloggers, and readers need to realize that it is ok to take a break and not feel guilty about that.

Well that is something that is I’m working on.

I will be posting regularly again very soon.

Author: Aidée James

Narrators: Ada Sinclair, Logan McAllister

Length: 6 hours 54 minutes

Publisher: Aidée James

Released: May 8, 2020

Genre: Erotic Romance

No one dominates me. Not the supermodels I’ve slept with, not the rich women whose necks I’ve dressed in diamonds. So, imagine my surprise when I get a drunken e-mail from an employee I’ve never met, containing not one, but dozens of erotic stories, all starring yours truly. And in every one of them, I’m a submissive. I should let it go, but I can’t. This woman needs to learn that John King gets spanked by no one.

When Mexican-American author Aidèe Jaimes isn’t chasing after her energetic daughter and spending time with her happily ever after husband in their Florida home, she’s living other lives through her characters. As her writing evolved into darker, sexier, no holds-barred stories, she transitioned from the pen name Haden Hudson, to the author she is today!

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The opening chapter starts with Ada Sinclair reading the book. When it comes to the narration Ada Sinclair does a really great job with her tone of voice. It’s very soft and her way of reading you get very comfortable with the tone of her voice. when it comes to the production of the sound it almost sounds like Ada Sinclair is a little too close to her microphone and you can hear every breath that she is taking in every inflection that she’s putting in on the words. While listening to Ada Sinclair her voice is very reminiscent to me of Angela Dawn. Both voice actress is our amazing. Angela Dawe is one of my favorite voice actresses of all times and listening to Ada Sinclair gave me the same joy I have while listening to the other voice actress.

One thing that was really interesting about this book is that at the beginning of every chapter there is a short story from the book that Winnie wrote. So it’s like listening to a book within a book. I love it. It adds a different twist to a romance novel.

Logan did a really good job of keeping me engaged in the story. Logan’s tone that he uses is great and consistent. He put emotion into the story really bring his parts to life. To me this is a big part of bringing the story to life. Logan has a great range of voices. I know who all of the characters are meant to be when he is voicing for them.

I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Aidèe Jaimes. The gifting of this audiobook did not affect my opinion of it.

Q&A with Narrator Ada Sinclair

• When did you know you wanted to be an audiobook narrator?
  • I’ve been acting for over 20 years professionally and working all sorts of day jobs in between. While doing a show three years ago, a friend of mine announced he had quit all his other part-time work and was exclusively getting paid to act and narrate. I was so intrigued I immediately started YouTubing and researching everything I could about it. I got some professional coaching, created a recording booth out of my closet in our spare bedroom, and haven’t looked back since.
• How did you wind up narrating audiobooks? Was it always your goal or was it something you stumbled into by chance?
  • Once I started researching narration, things like story arc, multiple character development, timing, and breath control all fit the bill for the numerous classes and workshops I had been going to as an actor. It seemed like everything I had been learning could be applied to books. Plus, I LOVED to read and was insatiable when it came to consuming stories. It was an absolutely perfect fit.
• Did you find it difficult to break into” audiobook narration? What skill/tool helped you the most when getting started?
  • The hardest part for me was learning the technical aspects of audio. How to best use the microphone, record and re-record so everything is seamless and do it for hours on end. There was definitely a learning curve and I wouldn’t have been able to do it without some juggernauts in the community like Don Baarns. Now I’m really well versed in not only recording but also editing and mastering and I have him to thank.
• A lot of narrators seem to have a background in theatre. Is that something you think is essential to a successful narration career?
  • I definitely think that my background has helped me. In school, we studied things like pacing and how alliteration and other word choices can clue you into the personalities and traits of a character. We delved very deeply into actions, motivations, and power struggles in various characters and I use all of it daily in my craft. I do think you can learn all of those things through coaching strictly for narration, but it helps me that I already have a foundation and years of experience to draw from.
• What type of training have you undergone?
  • I began singing in choirs and doing solos when I was 6. I started taking acting classes when I was 12 and went to college for acting at Florida State University and went on to study musical theater performance in New York at the American Musical and Dramatic Academy. I lived and acted in New York for 5 years before settling in Chicago with my husband and going through iO’s improv conservatory in the process. I’m currently a part of two professional theater companies here in Chicago and perform several times a year.
• How do you manage to avoid burn-out? What do you do to maintain your enthusiasm for narrating?
  • I truly enjoy the performance aspect of recording, so it’s not hard to get me into the booth. To avoid burnout for stories or genres that might be a little more difficult for me, I tend to keep myself on a schedule to record 1 to 2 finished hours several days a week, making sure to leave in vocal rest days and times to decompress. It’s the ideal, and sometimes I’ve been caught recording for hours on end to make a deadline, but overall it’s a strategy and balance that really works for me.
• Are you an audiobook listener? What about the audiobook format appeals to you?
  • Prior to narration, I hadn’t listened to many audiobooks. I didn’t particularly like the first few I had tried (I thought the voices in my own head made better choices, lol) but after starting on my own journey, I found some incredible narrators that I go back to again and again. I love listening to audiobooks while I’m driving and tend to like narrative stories then. For mundane tasks like laundry and/or cleaning, I’ll go for motivational self-help books.
• What are your favorite and least favorite parts of narrating an audiobook?
  • My favorite part has to be when I find each character’s voice and have them “checked in.” It’s a little like body switching when they are in a conversation, but if I can channel them both then it gets really fun to do arguments or flirty conversations. It’s like playing chess with yourself. My least favorite thing is definitely the pick ups. I am slightly dyslexic and often have small flubs like switched words. It makes it a process for both me and my very gracious proofer.
• What would you say are your strongest narration abilities?
  • I’ve been told that I can really embody the characters and create very distinctive voices. I tend to use a lot of variance in my vocal performance. My goal is always to allow the listener to recognize who is speaking without them having to be announced.
• Is there a particular genre you feel unsuited for? Have you ever declined a project because you didn’t think you were right for it?
  • I love narrating in quite a few genres. But I did turn down a book after I found out that the main character was African American and had a very distinct dialect. I love stretching myself as an actor, but I also believe that there are many other people better suited to tell stories with main characters that are people of color, and I believe they should be the ones cast.

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